‘Terminator’ Tanks
“Terminator: Dark Fate” was a massive box-office misfire and stands to be a big money loser for its backers, Skydance, Paramount and Disney
“Terminator: Dark Fate” was a massive box-office misfire and stands to be a big money loser for its backers, Skydance, Paramount and Disney
Stephen King’s 2013 sequel to “The Shining” gets turned into a movie that’s long and prosaic, but also creepy and scary.
Playing his own father, Shia LaBeouf shares an egoless retelling of his childhood, inviting audiences to witness the trauma that shaped him.
Scorsese’s mob epic, with Robert De Niro as a hitman and Al Pacino as an ego-drenched Jimmy Hoffa, is a coldly enthralling triumph.
Hamilton and Schwarzenegger are back for a movie that’s less reboot than do-over, and the first vital “Terminator” sequel since “T2.”
Damon Lindelof’s adaptation tackles the ways individuals are wrecked by history, though it lacks the necessary focus.
The new HBO and Sky collaboration is a bit too narrow in its approach to a historical giant.
“Daybreak’s” action and social commentary fall short, but its flashbacks offer a refreshing take on the teenage experience.
HBO’s “Mrs. Fletcher” is a pleasing character study with points to make about the ways the sexual revolution has failed men and women.
The musical by Howard Ashman and Alan Menken gets a starry, but small-scale Off Broadway revival starring Jonathan Groff.
Brian Cox (“Succession”) takes over from Bryan Cranston in Robert Schenkkan’s follow-up play to his Tony-winning “All the Way.”
“Almost Famous” fans get their backstage pass renewed via a stage musical adaptation in San Diego that feels familiar and refreshing.
Jonathan Pryce and Eileen Atkins play an elderly husband and wife, one of whom might be dead.
Kanye West’s unfocused and frustrating “Jesus Is King” contains flashes of inspiration — divine and otherwise — but that’s all.
This box set tackles a classic with less need of a spit-polish and not as many raw demos in the vault. Still necessary? Completely.
The follow-up to his 2018’s album mostly goes to softer places, but he still wants to nurture his bad-boy side, too.
Sheryl Crow is vowing this is her final full-length album. If so, it’s a heck of a retirement banquet.
